2026/05/09

ney matogrosso: sujeito estranho



album rating: ★★★★☆


Genre

Brazilian popular music (MPB). The album blends theatrical vocal performance with eclectic arrangements drawing on rock, folk, and samba, built largely around a repertoire of covers ranging from Caetano Veloso and Gilberto Gil to Arnaldo Baptista.

Release

Released in 1980 by Warner Bros. Records Brazil.

Production

Produced by Miguel Cidrás, who also contributed string arrangements, with production direction by Guti Carvalho. Recording and mixing engineer was Claudio Farias. The album was recorded in April and May 1980 at Transamerica Studios, Rio de Janeiro, Brazil. Originating from Ney's 1979 show Seu Tipo — in which he appeared bare-faced for the first time, relying solely on his countertenor voice — the album was recorded primarily to fulfil a contractual obligation with Warner, after which Matogrosso moved to Ariola.

Reception

The album received limited commercial exposure at the time of release and was largely overlooked, a circumstance Matogrosso himself acknowledged. Retrospectively, it has been reassessed as an artistically coherent and underrated work, notable for the interpretive depth Matogrosso brings to the two tracks previously recorded by Os Doces Bárbaros — "Um Índio" (Caetano Veloso) and "O Seu Amor" (Gilberto Gil) — and for the stripped-back elegance of its arrangements.

Ney Matogrosso

Ney Matogrosso (born Ney de Souza Pereira, August 1, 1941, Bela Vista, Mato Grosso do Sul, Brazil) is one of Brazil's most singular performing artists. He came to prominence as the flamboyant lead vocalist of Secos & Molhados (1973–1974), whose debut album became one of the best-selling Brazilian records of its era. His solo career, launched in 1975, has been defined by theatrical showmanship, androgynous aesthetics, and a countertenor voice of rare power and flexibility. Rolling Stone Brasil ranked him the third greatest Brazilian voice of all time. He was repeatedly threatened by the military dictatorship for his openly transgressive persona and is widely regarded as a pioneer of gender fluidity in Brazilian popular culture. By 1983, he had accumulated two gold and two platinum records.

This text was generated with the assistance of Artificial Intelligence.