2026/06/11

crosby, stills, nash & young: déjà vu



album rating: ★★★★★


Genre

Folk rock and country rock. Widely regarded as the defining album of the supergroup format, Déjà Vu deploys the four members' contrasting songwriting voices — Stills's blues-rock drive, Nash's melodic intimacy, Crosby's psychedelic harmonic adventurousness, and Young's laconic intensity — across ten tracks that together constitute a musical portrait of countercultural America at the cusp of the 1970s.

Release

Released on March 11, 1970, by Atlantic Records, on a gatefold sleeve with faux-leather texture and embossed gold lettering. It was the second studio album of Crosby, Stills & Nash and their first as a quartet with Neil Young. 

Production

Produced by David Crosby, Stephen Stills, Graham Nash, and Neil Young. Engineer was Bill Halverson. Art direction and design were by Gary Burden. Recorded at Wally Heider Recording Studio, Los Angeles, California, United States, between July 1969 and January 1970.

Reception

The album topped the Billboard 200 and was certified quadruple platinum by the RIAA, selling over eight million copies in the United States alone. It produced three US top-40 singles: "Woodstock" (No. 11), "Teach Your Children" (No. 16), and "Our House" (No. 30). Rolling Stone ranked it No. 148 on its 2003 list of the 500 Greatest Albums of All Time and No. 220 on the 2020 edition. 

Crosby, Stills, Nash & Young

Crosby, Stills, Nash & Young were a supergroup formed in Los Angeles in 1969 comprising David Crosby (born August 14, 1941, Los Angeles – January 19, 2023), Stephen Stills (born January 3, 1945, Dallas), Graham Nash (born February 2, 1942, Blackpool, England), and Neil Young (born November 12, 1945, Toronto, Canada). Each had established significant careers before their collaboration: Crosby with the Byrds, Stills and Young with Buffalo Springfield, and Nash with the Hollies. Their debut album as a trio — Crosby, Stills & Nash (1969) — won the Grammy for Best New Artist; with Young added, Déjà Vu became one of the highest-selling albums of the era. The group's political engagement -most sharply expressed in Young's "Ohio," recorded four days after the Kent State massacre - made them spokespeople of their generation. They reunited on multiple occasions, most memorably for the 1974 stadium tour and the CSNY 2006 Freedom of Speech tour. David Crosby died in January 2023; the surviving members have not performed together since.

This text was generated with the assistance of Artificial Intelligence.

carry on
4 + 20

2026/06/10

vangelis: 1492, conquest of paradise [soundtrack]



album rating: ★★★★☆


Genre

Electronic and orchestral film music. The score moves between the grand and the intimate — from the sweeping choral majesty of the title theme, featuring the English Chamber Choir, to sparse, meditative electronic passages evoking the vastness of the ocean, deploying synthesizers, flamenco guitar, and orchestral forces.

Release

Released on October 12, 1992, by Atlantic/WEA, as the original soundtrack to Ridley Scott's film 1492: Conquest of Paradise, marking the quincentenary of Columbus's first voyage to the Americas. The album and the title single enjoyed an unexpected commercial revival in 1995, breaking sales records in multiple European countries.

Production

Produced by Vangelis. Recorded and mixed at Epsilon Laboratory, Paris, France. The English Chamber Choir was recorded at CTS Studios, Wembley, England. Ridley Scott had previously collaborated with Vangelis on the Blade Runner soundtrack (1982).

Reception

The album was a significant commercial success, particularly following its 1995 revival, during which the title single was adopted by sporting events, political broadcasts, and television documentaries across Europe, becoming one of the most widely used pieces of music in European media of the decade. Vangelis received the Echo Award as International Artist of the Year and the RTL Golden Lion Award for Best Title Theme for a TV Film or Series in 1996 for the soundtrack. 

Vangelis

Evangelos Odysseas Papathanassiou (March 29, 1943, Agria, Greece – May 17, 2022, Paris, France) was a Greek composer, arranger, and producer of electronic, orchestral, ambient, and progressive music, universally known as Vangelis. Largely self-taught, he began his career in the 1960s with the Greek pop group Forminx and later co-founded the progressive rock group Aphrodite's Child - alongside Demis Roussos - whose cult album 666 (1972) remains a landmark of the genre. He subsequently built his own studio in London and developed a distinctive sound combining synthesizer textures with classical and orchestral forces. His collaboration with Jon Anderson of Yes, as Jon and Vangelis, produced several chart hits in the early 1980s. His Academy Award-winning score for Chariots of Fire (1981) brought him global recognition; Blade Runner (1982) followed, equally celebrated though its official soundtrack was not released until 1994. In his final years he collaborated with NASA and ESA on works including Mythodea (1993, performed live at the Temple of Zeus in Athens in 2001) and Juno to Jupiter (2021). He died of heart failure in Paris, aged 79.

This text was generated with the assistance of Artificial Intelligence.

conquest of paradise
chariots of fire
from the album chariots of fire [soundtrack]
blade runner (end titles)
from the album blade runner [soundtrack]

2026/06/07

paquita la del barrio con mariachi: no hay quinto malo



album rating: ★★★★☆


Genre

Ranchera and mariachi. The album presents Paquita's signature style in its most concentrated form: her powerful, raw contralto set against full mariachi arrangements, across a programme that alternates between songs of defiant heartbreak and the caustic, anti-machista wit that made her an icon of Mexican popular culture. 

Release

Released on October 24, 1996, by Musart Premier, a division of Discos Musart, Mexico. 

Reception

'No hay quinto malo' consolidated Paquita la del Barrio's standing as one of the most popular ranchera voices in Mexico, coming at the height of her commercial momentum. The album's title track became one of her most widely recognised songs and confirmed her peer-level standing within the ranchera tradition. The Mexican Ministry of Culture would later describe her output of over 40 record productions as having been "distinguished by raising the voice against injustices towards women."

Paquita la del Barrio

Francisca Viveros Barradas (April 2, 1947, Alto Lucero, Veracruz, Mexico – February 17, 2025, Xalapa, Veracruz, Mexico), known as Paquita la del Barrio, was a Mexican singer and actress who became one of the most beloved and culturally significant figures in the history of ranchera music. She began performing in Mexico City in 1970, singing at a restaurant in the Colonia Guerrero neighbourhood which gave her her stage name. She released her debut album in 1984 and signed with Discos Musart in 1992, entering her most productive and commercially successful period. Her songs - among them "Rata de dos patas," "Tres veces te engañé," and "Me saludas a la tuya" - became anthems of female defiance against machismo, earning her a devoted following across Latin America. Her famous catchphrase "Me estás oyendo, inútil?" became a cultural touchstone. She received three Grammy nominations and was honoured with the Billboard Latin Music Lifetime Achievement Award in 2021. She died of a heart attack in February 2025 at the age of 77.

This text was generated with the assistance of Artificial Intelligence.

el fracaso de mi amor
loca, loca

2026/06/06

maria farantouri: ligo akoma



cd release


spanish release as cantos desde grecia


original release

album rating: ★★★★★

Genre

Entekhno — Greek art song. The album draws exclusively on compositions by Mikis Theodorakis, setting texts by Greece's major twentieth-century poets — Odysseas Elytis, Yannis Ritsos, and Theodorakis himself — to music, in performances dominated by Farantouri's deep, dramatically charged contralto and the distinctive sound of bouzouki, guitar, piano, and flute.

Release

The original LP was released in 1980 by Pläne GmbH, Germany, under the primary title Lieder aus Griechenland, with the alternate title Ligo Akoma appearing on the back cover. The Spanish edition, Cantos desde Grecia, is an international release for the Hispanic market.

Production

The ensemble that recorded the album comprised Sarantis Kassaras on piano, Georgios Papadopoulos on bouzouki, Nikos Maniatis on guitar, and Wolf Burbat on flute — a mixed group of Greek and German musicians consistent with the album's hybrid origin. 

Reception

The album has been described by critics as an ideal introduction to the songs of Mikis Theodorakis, drawing exclusively on the most celebrated cycles from the composer's peak creative period in the 1960s. A German-language review noted that Farantouri's "fresh singing shows the artist at the height of her art," and called the album "unreservedly recommended as an introduction to the songs of Mikis Theodorakis."

Maria Farantouri

Maria Farantouri (born November 28, 1947, Athens, Greece) is a Greek contralto singer, political activist, and former member of the European Parliament, widely regarded as the foremost interpreter of the entekhno repertoire and, in particular, of the songs of Mikis Theodorakis. She began singing as a teenager in the progressive choir of the Society of Greek Music and caught the attention of Theodorakis, who became her mentor and primary artistic partner. During the Greek military junta of 1967–1974, she recorded protest songs in exile in Europe alongside Theodorakis, performing at concerts of international solidarity across the continent. In 1971, she recorded songs by Theodorakis alongside Australian guitarist John Williams, including settings of poems by Federico García Lorca. She has since collaborated with composers Manos Hatzidakis, Eleni Karaindrou, and Vangelis, and has recorded songs by Pablo Neruda, Bertolt Brecht, and George Gershwin in multiple languages. 

This text was generated with the assistance of Artificial Intelligence.

sotiris petroulas

2026/06/05

antonello venditti: prendilo tu questo frutto amaro



album rating: ★★★★★


Genre

Italian pop and canzone d'autore. The album alternates between sweeping romantic ballads and more urgent, socially inflected compositions. The title track, co-written with Steven Van Zandt, introduces an American rock sensibility into Venditti's characteristically Roman melodic framework.

Release

Released in 1995 by Heinz Music. All eight tracks were written by Venditti, with the exception of the title track, co-written with Steven Van Zandt of the E Street Band, and "Parla come baci," co-written with Luca Anastasi, Danilo Cherni, Amedeo Lo Giudice, and Maurizio Perfetto.

Production

Produced by Alessandro Colombini and Antonello Venditti. Colombini had been Venditti's principal producer since the landmark In questo mondo di ladri (1988), the eighth best-selling album in Italian music history. 

Reception

The album reached number one in Italy, continuing the commercial run established by its predecessors Cuore (1984), In questo mondo di ladri (1988), and Benvenuti in Paradiso (1991). "Ogni volta" became one of the defining Italian love songs of the decade and remains among the most-played songs in Venditti's live repertoire. The album was dedicated to Francesco Saverio — the artist's son with actress Simona Izzo.

Antonello Venditti

Antonio "Antonello" Venditti (born March 8, 1949, Rome) is an Italian singer-songwriter and pianist, one of the most enduring and commercially successful figures in the history of Italian popular music. The son of a government official, he studied law and the philosophy of law at La Sapienza, Rome, before dedicating himself to music. He debuted in the early 1970s at the Folkstudio in Rome alongside Francesco De Gregori - with whom he released the joint debut Theorius Campus (1972) - and emerged as a distinctive voice of the cantautore generation for his fusion of social engagement and Roman melodic tradition. His signature songs include "Roma capoccia," "Notte prima degli esami," and "Grazie Roma." Angelina Jolie appeared in the video for "Alta Marea." A passionate supporter of AS Roma, he has written numerous songs for the club and staged a historic free concert in Circo Massimo in 2021, attended by over 600,000 fans. He has sold over 30 million records worldwide.

This text was generated with the assistance of Artificial Intelligence.

ogni volta
vento selvaggio
benvenuti in paradiso
from the album benvenuti in paradiso
che tesoro che sei
from the album goodbye novecento

2026/06/04

lou rawls: when you hear lou, you've heard it all



album rating: ★★★★★


Genre

Philadelphia soul and jazz. Characteristic of Rawls's Philadelphia International period, the album balances Gamble and Huff's polished, groove-driven soul production with jazz-inflected tracks.

Release

Released in 1977 by Philadelphia International Records. The album's title is a play on the Budweiser advertising slogan "When you say Budweiser, you've said it all" — Rawls was then the company's national spokesperson and could be heard in its television commercials.

Production

Only four tracks were produced by Kenny Gamble and Leon Huff; the remaining tracks were shared among others producers. Recorded at Sigma Sound Studios, Philadelphia, Pennsylvania.

Reception

The album peaked at number 13 on the Billboard R&B Albums chart and number 41 on the Billboard 200. The lead single "Lady Love" proved successful in the crossover market, becoming Rawls's last single to enter the top 30 on the Billboard Hot 100. It also reached number 13 in Canada. 

Lou Rawls

Louis Allen Rawls (December 1, 1933, Chicago, Illinois – January 6, 2006, Los Angeles, California) was an American singer whose four-octave baritone adapted equally to gospel, jazz, blues, soul, and R&B. He grew up in the Ida B. Wells housing projects on Chicago's South Side, began singing in church at seven, and as a teenager performed alongside Sam Cooke in the gospel group Teenage Kings of Harmony. After military service as a paratrooper, a near-fatal 1958 car crash that left him in a coma for five and a half days, and a slow recovery, he rebuilt his career from the Los Angeles nightclub circuit, signing with Capitol Records in 1962. His greatest commercial success came with Philadelphia International Records, which he joined in 1975; the resulting collaboration with Gamble and Huff produced "You'll Never Find Another Love Like Mine" (1976) — his signature song. He won three Grammy Awards for Best Male R&B Vocal Performance — for "Dead End Street" (1967), A Natural Man (1971), and Unmistakably Lou (1977) — earned thirteen nominations in total, released over sixty albums, and sold more than 40 million records. In 1980 he founded the Lou Rawls Parade of Stars Telethon for the United Negro College Fund, which raised over 250 million dollars before his death.

This text was generated with the assistance of Artificial Intelligence.

lady love
trade winds
if i coulda, woulda, shoulda
not the staying kind