2026/07/26

georges moustaki: le métèque



album rating: ★★★★★


Genre

Chanson. "The Guardian" described the album as "utterly beautiful," featuring twelve succinct, memorable songs delivered in Moustaki's gentle baritone with minimal accompaniment. The programme moves between original compositions and settings of poems by Paul Verlaine and Manos Hadjidakis, in the spare, intimate style that made Moustaki's the most distinctive new voice in French chanson of 1969.

Release

Released in 1969 by Polydor, France. It was Moustaki's second solo album. The sleeve notes were written by Georges Brassens - whose encouragement of the young Moustaki in a Paris bookstore years earlier had been a decisive moment in his artistic formation. Brassens' endorsement on the sleeve gave the album immediate critical credibility.

Production

Produced by Henri Belolo, with Jacques Bedos as artistic director and Alain Goraguer as musical director and arranger; recording engineer was Jean-Pierre Dupuy. Guest performers included R. Gimenez and Sylvano on guitar on "Gaspard," and Françoise Walch on vocals on "Le Facteur." Most tracks feature Moustaki accompanied by his own guitar alone.

Reception

The title single "Le Métèque" reached number one on the French charts for six non-consecutive weeks and became one of the defining songs of 1969 across Europe. An Italian version, "Lo straniero," became the best-selling record of 1969 in Italy. The album launched Moustaki as a major performing artist after a decade as a songwriter for others, and established him as a symbol of Mediterranean cosmopolitanism and poetic dignity in the face of cultural displacement.

Georges Moustaki

Georges Moustaki (born Giuseppe Mustacchi, May 3, 1934, Alexandria, Egypt – May 23, 2013, Nice, France) was an Egyptian-French singer-songwriter of Greek-Jewish origin. His parents were Greek Jews from Corfu who owned an outstanding bookshop in Alexandria. He moved to Paris in 1951 and within a short time became known in Parisian nightclubs for his poetic lyrics and melancholy ballads. He wrote approximately 300 songs for some of the most popular French singers, including Édith Piaf, Dalida, Françoise Hardy, Yves Montand, Barbara, and Juliette Gréco. His love affair with Piaf was a press obsession. As a performer he sang in French, Italian, English, Greek, Portuguese, Arabic, and Spanish. He also moonlighted as a poet, actor, and journalist. He received the Grand Prix de la SACEM for lifetime achievement and, shortly before his death, the title of  "Chevalier des Arts et des Lettres".

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le temps de vivre

2026/07/25

enzo avitabile: black tarantella



album rating: ★★★★☆


Genre

World music, blues, and Neapolitan folk. A densely collaborative album built on thirteen original compositions in Neapolitan and Italian, the record weaves the rhythmic traditions of the Bottari di Portici - wine barrels and agricultural tools used as percussion - with saxophone, electric guitar, and the contrasting voices of a cast of guest artists spanning Italian, African, and Anglo-American music.

Release

Released on March 20, 2012, by Compagnia Nuove Indye (CNI Music). Guest collaborators include Renato Zero, Giorgia, Alessandro Mannarino, Francesco De Gregori, Francesco Guccini, Franco Battiato, Raiz, and Mauro Pagani, alongside Bob Geldof, David Crosby, and Daby Touré.

Production

All music, lyrics, and arrangements are by Enzo Avitabile; artistic production by Andrea Aragosa, Avitabile's longtime collaborator. The album's sonic identity is shaped by the Bottari di Portici, a percussion ensemble rooted in a centuries-old tradition of Portici - the town at the foot of Vesuvius - whose instruments include wine barrels struck with wooden sticks, scythes, and other agricultural implements. 

Reception

The album won the Targa Tenco 2012 for best album - one of the most prestigious awards in Italian popular music - confirming Avitabile's standing at the forefront of the Italian music scene. The Italian music press praised its emotional and spiritual depth, and the "Lost Highways" review described it as "a casket of thirteen perfect pearls, dirty with mud or lustrous with joy," urging listeners to experience it "with the heart." Jonathan Demme's documentary film Enzo Avitabile Music Life, presented at the Venice Film Festival the same year, brought renewed international attention to his work.

Enzo Avitabile

Vincenzo "Enzo" Avitabile (born March 1, 1955, Naples) is an Italian saxophonist, composer, and singer-songwriter who plays a fusion of world music and jazz fusion rooted in Neapolitan traditions and language. A graduate in flute from the Naples Conservatory, he launched his recording career in 1982 with the collaboration of Richie Havens, and went on to work with James Brown, Afrika Bambaataa, Khaled, Manu Dibango, Bob Geldof, and David Crosby, among many others. Since 2000 he has performed with the Bottari di Portici, whose ancient percussion tradition he has placed at the centre of his artistic identity. His accolades include two Targhe Tenco, two David di Donatello Awards, three Nastri d'Argento, and four BBC World Music Award nominations.

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mai cchiu'

2026/07/24

bob dylan: blood on the tracks



album rating: ★★★★☆



Genre

Folk rock and country rock. "Blood on the Tracks" is a cycle of ten songs about loss, anger, longing, and the dissolution of love - written, according to his son Jakob Dylan, as "my parents talking." Dylan has denied the autobiographical reading. 

Release

Released on January 20, 1975, by Columbia Records, marking Dylan's return to the label after two albums with Asylum Records. The final album contains five tracks recorded in New York and five from Minneapolis. Shortly before the scheduled release, Dylan abruptly re-recorded five songs at Sound 80 in Minneapolis at the suggestion of his brother David Zimmerman, who felt the album needed a more commercial sound.

Production

Dylan began recording at A&R Recording Studios, New York City, in September 1974, with Phil Ramone as session engineer; the Minneapolis sessions in December were overseen by David Zimmerman, who served as uncredited producer. 

Reception

"Blood on the Tracks" initially received mixed reviews but has since been acclaimed as one of Dylan's best albums. Rolling Stone ranked it No. 4 on its 2023 list of the 500 Greatest Albums of All Time, describing it as "a masterpiece of American song." AllMusic awarded it a perfect score. The album peaked at No. 1 on the Billboard 200 and was certified platinum by the RIAA. The sole single, "Tangled Up in Blue," reached No. 31 on the Billboard Hot 100.

Bob Dylan

Robert Allen Zimmerman (born May 24, 1941, Duluth, Minnesota) is a singer-songwriter, artist, and author, widely regarded as the most important songwriter in the history of popular music. He began performing in New York's Greenwich Village in 1961, signing to Columbia Records the following year. His early protest songs — "Blowin' in the Wind", "The Times They Are a-Changin'" - made him the voice of the civil rights and anti-war movements; his electric turn at Newport in 1965 permanently changed the nature of rock music. His catalogue encompasses over 50 years of recording, including "Blonde on Blonde" (1966), "John Wesley Harding" (1967), and the late masterworks "Time Out of Mind" (1997) and "Love and Theft" (2001). He was awarded the Nobel Prize in Literature in 2016 - the first musician so honoured — and received the Presidential Medal of Freedom in 2012.

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lily, rosemary and the jack of hearts

2026/07/23

rubén blades: la rosa de los vientos



album rating: ★★★★☆



Genre

Salsa and bolero. The album marks a deliberate return to Blades's Panamanian roots, presenting sixteen tracks performed exclusively by Panamanian musicians under the direction of Panamanian bandleader Roberto Delgado. The programme ranges from salsa dura to romantic bolero, including a setting of verses from the pre-Columbian Mayan text Chilam Balam and a closing cover of Uruguayan composer Jaime Roos's "Amándote."

Release

Released in 1996 by Sony Tropical, distributed by Sony Music Entertainment. It was the first album Blades recorded with Roberto Delgado's orchestra, inaugurating a long-running collaboration that would continue into the 2020s. 

Production

Produced by Roberto Delgado, who also played bass and contributed backing vocals throughout. The ensemble comprised Dino Nugent on piano, Samuel Vallejos on drums, George De León on timbales and percussion, Óscar Cruz on congas, Reynaldo Cruz on bongos, Juan Carlos López on trumpet, Marco Linares on guitar, and Guillermo Franco on percussion on selected tracks. 

Reception

The album was welcomed as a significant return to form and a demonstration of Blades's continued vitality as both an interpreter and a songwriter - arriving two years after his unsuccessful presidential campaign in Panama - and contributed to the momentum that led to his Grammy-winning album Tiempos (1999).

Rubén Blades

Rubén Blades Bellido de Luna (born July 16, 1948, Panama City, Panama) is a Panamanian salsa singer, songwriter, actor, musician, and politician, widely regarded as one of the most important figures in the history of Latin music. He studied law at the University of Panama and later obtained a Master's degree in International Law from Harvard University. After arriving in New York in 1974 and working in Fania Records' mail room, he began recording with Willie Colón, producing the landmark albums "Metiendo Mano!" (1977) and "Siembra" (1978) - the best-selling salsa album in history. As a lyricist, he brought the political sophistication of "nueva trova" and "nueva canción" to "salsa", creating what critics described as thinking people's dance music. His acting career has encompassed roles in more than thirty films. In 1994 he ran for president of Panama, finishing second. He served as Panama's Minister of Tourism from 2004 to 2009. His accolades include nine Grammy Awards, a Latin Grammy Lifetime Achievement Award, an honorary Doctor of Music from Yale, and induction into the International Latin Music Hall of Fame.

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eres mi canción
un son para ti

2026/07/22

la bottine souriante en spectacle [live]



album rating: ★★★★★


Genre

Quebec traditional folk and trad. The album captures the full force of La Bottine Souriante in concert, presenting the band's signature blend of traditional Quebec reels, jigs, and songs with the rich brass section -trombone, bass trombone, trumpet, and flugelhorn -that they added to their instrumentation in 1988, generating a euphoric, high-energy live sound unlike any other ensemble in the world music canon.

Release

Released in 1996 by Les Productions Mille-Pattes, the label the band had co-founded in 1993. It was the group's ninth album and their second live recording. 

Production

Self-produced by La Bottine Souriante. Artistic direction was by Michel Bordeleau, Régent Archambault, and Yves Lambert. Arrangements were by Jean Fréchette and La Bottine Souriante. The ensemble included Régent Archambault on double bass and electric bass, Yves Lambert on accordion and harmonica, Jean Fréchette on saxophone, flute, and whistle, Jocelyn Lapointe on trumpet and flugelhorn, André Verreault on trombone and Martin Racine on violin and guitar.

Reception

The album was received as a definitive document of the group's formidable live reputation. It was nominated for a Juno Award and received a Felix nomination for Concert Performance of the Year. 

La Bottine Souriante

La Bottine Souriante first appeared on the folk music scene in 1976 in the Lanaudière region of Quebec. The group's name -"The Smiling Boot" - was taken from a poem by Gaston Miron. They released their debut album, Y'a Ben du Changement, in 1979, and added a brass section in 1988, transforming their sound from acoustic trad to an irresistible fusion of traditional Quebec music and New Orleans-inflected brass energy. Their accolades include two Juno Awards -for Best Roots/Traditional Album for Je Voudrais Changer d'Chapeau (1989) and Jusqu'aux P'tites Heures (1992) - multiple Felix Awards, the Prix Desjardins de la Culture as Artist of the Year (1993), the Miroir de la Chanson Francophone Special Jury Prize (1994), and the BBC Best Live Folk Act Award (2000). They are widely regarded as the most celebrated and internationally recognised ensemble in the history of Quebec traditional music.

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la grand côte

2026/07/19

inventario encontra ivan lins / inventario incontra ivan lins




album rating: ★★★★☆


Genre

MPB, bossa nova, and jazz. The result is one of the happiest combinations between the musical traditions of Brazil and Italy, a universal sound in which bossa nova, samba, MPB, Brazilian folklore, jazz, blues, gospel, Italian music, and Neapolitan music are all present. The album presents thirteen Ivan Lins compositions in Portuguese, English, Italian, and Neapolitan, with music that has no definite borders, conceived and played with extreme sophistication.

Release

Released in Italy in 2012 by Blue Note under the title "InventaRio incontra Ivan Lins"; published in Brazil in 2013 by Biscoito Fino under the title "InventaRio encontra Ivan Lins". Guest vocalists include Vanessa da Mata, Maria Gadú, Jessica Brando, Vinícius Cantuária and Bungaro.

Production

Produced by the band, comprising Dadi Carvalho (vocals and guitar), Giovanni Ceccarelli (piano and keyboards), Ferruccio Spinetti (bass), and Francesco Petreni (drums and percussion).The Italian translations of the lyrics were by radio presenter and Brazilian music specialist Max de Tomassi, a friend of Lins and one of the promoters of the project. Recordings took place in Rio de Janeiro and Italy between October 2011 and January 2012.

Reception

The Italian newspaper "L'Eco di Bergamo" described it as "music with no definite borders, conceived and played with extreme sophistication". Ivan Lins stated: "As I like to place my work at the disposal of new and different concepts, when I received the invitation for this project, I accepted immediately. The musicians are excellent, as restless as I am. It was a beautiful opportunity to hear my music sounding in a new way, even for me".

InventaRio

InventaRio is an Italo-Brazilian group comprising Italian musicians Giovanni Ceccarelli (piano and keyboards), Ferruccio Spinetti (bass), and Francesco Petreni (drums and percussion), alongside Brazilian guitarist and vocalist Dadi Carvalho. The group launched their debut album in 2010, establishing themselves as one of the most creative voices in the dialogue between Brazilian and Italian musical traditions. Their name, a portmanteau of Rio de Janeiro and the Italian word inventario (inventory), reflects their artistic project: a systematic, creative reckoning with the Brazilian popular music repertoire through a European sensibility. The collaboration with Ivan Lins emerged from a concert at the Ravello Festival in Italy; their subsequent work together culminated in the recordings presented on this album. 

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nascere di nuovo (começar de novo)
maybe one day, maybe in vain (lembra de mim)
camaleonte (camaleão)

2026/07/18

golpes bajos: a santa compaña



album rating: ★★★★★


Genre

Sophisti-pop, new wave, and post-punk. "A Santa Compaña" draws influence from sophisticated pop and new wave acts such as Chic, Peter Gabriel, Japan, The Cure, and Aztec Camera, blending these with post-punk energy and theatrical tracks infused with Galician mythology. The album also incorporates a cover of the Italian song "Come Prima" and bossa nova-tinged arrangements, all delivered in Germán Coppini's distinctively trembling, theatrical baritone.

Release

Released on 30 July 1984 by Nuevos Medios. It was the group's sole full-length studio album. The album artwork depicts all four band members wearing traditional Galician women's clothing, standing on a field of rocks, except for Coppini, who is sitting at their feet. Its title refers to the Santa Compaña, a Galician folk myth of a nocturnal procession of souls. 

Production

Produced by Luis Fernández Soria, Teo Cardalda, and guitarist Pablo Novoa at Audiofilm Studios, Madrid with the cover of "Come Prima" recorded at Estudis Perpinyà, Barcelona. All songs were written by Coppini and Cardalda, with the exception of "Colecciono Moscas", co-written by Coppini and Novoa.

Reception

A Santa Compaña garnered strong critical acclaim for its innovative fusion of punk energy with Galician cultural motifs, earning a place among Spain's most influential albums of the era and solidifying Golpes Bajos' national profile beyond their Vigo origins. The group kept one eye on London, on the introverted poetics of Joy Division, and another on ancestral Galicia, on religion, witches, and mourning. 

Golpes Bajos

Golpes Bajos were a Galician pop band formed in Vigo, Galicia, in 1982, founded by lead singer Germán Coppini and keyboardist Teo Cardalda - they were one of the main groups of the "Movida Viguesa", which alongside the "Movida Madrileña" would be known as the Golden Age of Spanish Pop Music. In 1983 the group won a contest organised by Rock Especial magazine, after which Coppini left Siniestro Total to focus on Golpes Bajos. Their output comprised a debut EP (1983), A Santa Compaña (1984), and the mini-LP Devocionario (1985), before dissolving in 1985. Coppini's trembling, theatrical voice had originated in the flu he had when they recorded their first demo - and he had no option but to maintain it thereafter. Coppini died of liver cancer on December 24, 2013, at the age of 52. After the dissolution, Cardalda co-founded the successful pop duo Cómplices, while Novoa became one of Spain's most respected session guitarists.

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escenas olvidadas
cena recalentada
a santa compaña
no mires a los ojos de la gente
from the EP no mires a los ojos de la gente

2026/07/17

commodores [1977]



album rating: ★★★★☆


Genre

Funk, soul, and R&B. The album demonstrates the Commodores' defining strength: their ability to move with equal assurance between uncut funk - "Brick House," "Squeeze the Fruit", "Funky Situation" - and the tender romantic balladry that Lionel Richie was refining toward his eventual pop dominance, most memorably in "Easy" and "Zoom".

Release

Released on March 15, 1977, by Motown Records. It was the group's fifth studio album. The original vinyl release included a large fold-out poster of the band, visible in a scene of the 1977 film Saturday Night Fever. In the UK, the album was released under the title Zoom, after one of its tracks. The album is dedicated to Kathy Faye, the wife of bassist Ronald LaPread, who died of terminal tumours during its recording.

Production

Produced by the band alongside their regular collaborator James Anthony Carmichael. -"Brick House" was co-written by the entire group; "Easy" was written by Richie alone. The lyrics of "Brick House" were written by Shirley Hanna-King, wife of William King, while the band slept. Recorded, mixed, and mastered at Motown Recording Studios, Hollywood, California.

Reception

The album became the Commodores' first top-5 pop album, peaking at number 3 on the Billboard 200 and spending eight weeks at number one on the R&B Albums chart. "Brick House" reached number 5 on the Hot 100 and number 4 on the R&B chart. "Easy" reached number 4 on the Hot 100 and number 1 on the R&B chart. 

Commodores

The Commodores are an American R&B, funk, and soul group formed in 1968 at Tuskegee University, Alabama, by Lionel Richie (vocals, keyboards), Thomas McClary (guitar), Milan Williams (keyboards), William King (trumpet), Ronald LaPread (bass), and Walter Orange (drums, vocals). They signed to Motown Records in 1972 and built their reputation as one of the label's premier live acts, opening for the Jackson 5. Their run of albums between 1974 and 1981 produced a string of US top-ten singles, including "Three Times a Lady" and "Still" - both number-one pop hits written by Richie. Richie departed for a solo career in 1982; the remaining members won a Grammy Award for Best R&B Performance by a Duo or Group for "Nightshift" (1985). The group has sold over 70 million records worldwide and was inducted into the Vocal Group Hall of Fame in 2003.

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easy